Brigands: Reverse Garibaldini?
Introduction
The eruption of Southern brigandage following Italian
unification was long ignored, even erased from school textbooks,
which were primarily aimed at instilling a sense of Italian
identity in students. Later, this phenomenon was revisited by
left-wing intellectuals, who interpreted it as a class struggle
motivated by economic reasons—an example of Marxist historical
theory. In recent years, brigandage has been re-evaluated and
even romanticized by certain groups, who view Italian
unification as a sort of colonial war waged by the Piedmontese
and, more generally, the northern Italians, against the
prosperous and developed Bourbon kingdom. In this perspective,
brigands are seen as a form of patriotic guerrilla fighters, a
kind of reverse Garibaldini.
But can brigands truly be considered as reverse Garibaldini, men
fighting for a cause opposed yet comparable to Garibaldi's? This
work attempts to outline a response to this question.
The Brigands
Firstly, let’s understand who the brigands were. Brigandage was
a widespread phenomenon up until the late 19th century, common
throughout the south of Italy as well as in areas like Lazio and
Romagna, and, to an extent, globally. Brigands were people who
lived hidden in forests, mountains, or deserted wastelands. At
the time, governments had too few resources to control these
vast, scarcely populated territories: roads were nonexistent,
and communication was extremely difficult. In remote mountainous
areas, like those in Irpinia or Basilicata, one could find small
villages perched here and there, with large, uninhabited
expanses covered in forests, hills, and scrubland—the brigands’
natural domain.
Brigands had no legitimate economic means, so they lived by
robbing, usually targeting rare travelers or by demanding ransom
from kidnapped landowners. Sometimes, they might even attack
small, isolated towns. Inevitably, they killed anyone who
resisted; hence, they were thieves, robbers, murderers, and
occasionally rapists (since they had no women among them).
People often turned to brigandage after committing a crime, such
as murder or theft, with no other recourse but to escape from
inhabited areas and hide in the wilderness. However, these
crimes were sometimes driven by extreme poverty or an honor
killing, as it was then called, against someone who had
threatened a family woman’s virtue—a duty in those times.
Therefore, although brigands committed intolerable crimes by the
standards of an orderly state, they were not necessarily wicked.
Out of either calculation or genuine kindness, they sometimes
spared the poor and only attacked the rich, who were, after all,
the ones with money. They might use part of their loot to help
the poor, thus creating a valuable network of collaborators. In
such cases, a myth of generosity might arise around them (similar
to Robin Hood or the “gentle bandit” of Romagna, referenced by
Pascoli). They could be seen as avengers of the poor and
oppressed against rich exploiters and oppressors, admired by the
downtrodden for their courage to rebel against misery,
oppression, and injustice—in essence, for embodying a truer
sense of justice than that of official laws, which the powerful
manipulated for their own benefit.
Think of Renzo in The Betrothed: the law didn’t protect
his Lucia, and for a moment, he considered a desperate act—killing
the local lord and fleeing, essentially choosing the life of a
brigand. But he quickly abandoned this idea, knowing it would
mean losing Lucia, whom he hadn’t yet even touched. It was
better to seek the Church’s help. Had Lucia indeed been violated,
even Father Cristoforo likely couldn’t have dissuaded Renzo from
his revenge.
The brigand’s life was extremely harsh. They had to leave their
families, with only a few women, reserved for the leaders,
occasionally joining them. They had no shelter, were constantly
on the move, exposed to cold and hunger, always with death at
their side. Above all, there was no future for them: sooner or
later, they would be captured and end their miserable lives on
the gallows. There was only one way out: royal amnesty. The
government could decide it was easier to forgive their crimes
than to pursue each brigand individually, or it might recruit
them to fight in times of war in exchange for the long-desired
amnesty. A similar policy was used with the pirates who infested
the Atlantic.
Carmine Crocco
Let us now examine Carmine Crocco’s story, the "general of the
brigands" and the most prominent leader of Southern brigandage,
even the subject of a popular TV series. Crocco, a peasant from
Rionero, joined the Neapolitan army, where he excelled and
reached the rank of non-commissioned officer. At some point,
however, he committed a murder and was forced to desert. In his
autobiography, he claimed it was an honor killing, as the victim
had attempted to seduce his sister. However, this might not be
true, though it’s not relevant here.
In 1860, during Garibaldi's campaign, Crocco was promised
amnesty if he fought with Garibaldi, which he did, even fighting
at Volturno. However, the amnesty was not granted due to
unforeseen complications. Crocco returned to brigandage. A new
opportunity arose when he was promised amnesty again if he
fought for the Bourbon king. He led the brigands of Basilicata
for years, commanding around two thousand men divided into bands
and capturing many towns, robbing liberal bourgeois. Violent
retaliation from the Italian army eventually crushed the
brigands. Crocco fled to the Papal States, expecting amnesty
through the intervention of the Pope or the Bourbon king, only
to be detained by the papal authorities as a brigand. Eventually,
he was to be deported to Algeria by the French authorities, but
the Italians intercepted the French ship and captured him.
Sentenced to death, his sentence was commuted to life
imprisonment to avoid straining relations with France. Crocco
died in prison forty years later, having written an
autobiography to justify his life.
Popular Uprising
However, the Southern brigandage was not just an outbreak of
traditional banditry but had numbers and characteristics that
set it apart. It can better be understood as a peasant revolt,
similar to the French jacqueries—spontaneous uprisings
of the poor and oppressed throughout history whenever peasants’
living conditions became unbearable, such as the 18th-century
Cossack uprising led by Pugachev or the roughly contemporary
Taiping Rebellion in China.
The context of Southern Italy was unique: a conflict between
“caps” and “hats.” “Hats” were the characteristic headgear of
the galantuomini—a term not meaning “honest men” but
simply men in gala attire. These were the landowners and
professionals such as army officers, judges, lawyers, and public
administrators, who constituted the wealthy class. Meanwhile,
the “caps” were worn by peasants and shepherds, who spent their
lives working in the barren fields, dividing their meager
harvests with landowners.
Into this very tangible conflict fell the Garibaldians’
expedition. Good Mazzinians, they believed that the freedom they
were bringing, along with unity, would solve all problems for
the people, leading to liberty and prosperity. These were noble
but abstract ideals that took no account of the real conditions
of the poorest southern regions.
As the peasant revolt grew, its futility became evident: the
return of the Bourbons, at most, would have meant a return to
previous injustices.
Conclusion
In conclusion, we cannot consider the brigands as reverse
Garibaldians. Garibaldi's followers were mostly urban
middle-class men or artisans; peasants were virtually absent
among them. In contrast, brigands were always peasants, never
extending beyond their social class or involving the towns. The
Garibaldians were driven by noble ideals they had read in books,
whereas brigands were illiterate and moved by real, direct
experiences of poverty and injustice.
To understand the world of the brigands, one must think less of patriotic novels like Small Ancient World by Fogazzaro or The Reaper of Sapri by Mercantini, and more of works like Verga’s novella Liberty or Levi's Christ Stopped at Eboli: two utterly different worlds, bound to collide in the ruthless conflict that marked the suppression of Southern brigandage.